Haven't Been The Same

I recently gave my musical project a name, standing atop a mound of eviscerated ideas at the hands of Google search: "Behold, I am become Google search, the destroyer of first drafts of band names." Nevertheless, Maggie Dave is here, and in the meantime - while I desperately try to banish the creeping suspicion that there's somebody out there waiting to pounce on that unreserved domain name...I'll choose to breathe instead. 

I'll be performing new songs during the holiday months ahead, so check back here during Decembertime for concert dates, live performances & more. Until then, enjoy this kitchen-recorded demo of "Haven't Been The Same," a cover of one of my favorite songs by the magnetically gifted singer/songwriter Uni and her Ukelele, aka Heather Marie-Ellison.

"Living here used to make sense when I was 25."

I recently got back into composing music and writing songs, several of which I made demos of in the winter of 2015 and the following spring. One of these, "Family Tree," is now available to download online through SoundCloud if you are so inclined. It's good company, and plays well with others on your music device or phone. 

It's a rough draft though, unmastered & recorded in my mom's kitchen. Maybe a bit soft. Normally I'm leery of sharing works-in-progress, but I've always been intrigued by the organic quality of a demo that's still finding itself - stretching its connective tissue to other instruments yet to be added. To that end, I feel comfortable sharing it this way, because my main goal with my music hasn't always been sonic perfection, but rather, evocation of emotion & memory.

I hope, if anything, it's a pleasant aural diversion that isn't too much of a drag to listen to. Lord knows I love the darker shades.


This, the first of what I hope to be, many posts.

I was working on some 1/12 scale miniatures this summer, and in the background, I listened to a pretty steady diet of late 80s/early 90s Pet Shop Boys - one of my, along with my sister's, favorite musical groups.

They fused fragile humanity with the muscular aural language of 80s synth pop and created a unique combination that is so quintessentially proper and very evocative for me. It always brings me back to the white linen hallway outside my sister's old bedroom, hearing the rolling bass lines on their landmark 1993 album Very pumping through the walls.

One such track is "Can You Forgive Her?," whose video is enriched with some terrific art direction & costumes by theatrical producer/artist David Fielding. It's a drama-laden track, which makes me think of its spiritual cousin, the stone cold 1987 classic "It's A Sin." The two songs address closeting one's feelings to avoid shame, rejection and ultimately the devastation of one's soul. Each character in the song is haunted by their past, the former by his repressed homosexuality, the latter by his oppressive Catholic upbringing.

Through it all, I just love the fact that both Neil Tennant and Chris Lowe are dressed like nightmare candy corn while they sing about psychic torment. Such a bold choice at a pivotal shift in the band's trajectory, all the while fully realizing their marriage of orchestral sound with programmed synthesizers that would come to define them for the next decade.

Give it a listen, enjoy those fantastic pointy hats, wish you had some & have a look around. I'm glad you're here. 

-Sean (8/21/16) *The first of what he hopes to be many posts.