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Sean David Christensen - Art / Cinema / Music

  • Art / Cinema / Music
  • Ghost Tape #10
  • Maggie Dave
  • Blog
  • About

Just a bunch of things

Oh, hello. This is a general collection of things. Things I do, as well as things that I like. 

I'm glad you're here.

Make yourself at home. Can I get you something to drink? Have a look around, I’ll be right back with something. Gimme two seconds.

SDC 

Taco (2018); Construction paper, acrylic paint, fish tank gravel.

Taco (2018); Construction paper, acrylic paint, fish tank gravel.

(Tiny) Taco Tuesday

August 07, 2018 in art, miniatures

I'd like to develop the habit of drawing or creating something quick immediately after waking up and having my morning tea. Today (Tuesday) was my first attempt at this: a tiny paper taco. I crafted this tasty snack, all the while completely forgetting about my cup of Earl Gray, which was cold to the touch when I went to pick it up soon after. A small price to pay for getting lost in one's work. 

Tags: miniatures, art, Sean David Christensen, www.seandavidchristensen.com
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Algorithm (2018); Graphic pen & Photoshop

Algorithm (2018); Graphic pen & Photoshop

ALGORITHM

August 05, 2018 in art
Tags: art, typography, social media, Sean David Christensen, www.seandavidchristensen.com
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(2018); Pen on sketch paper

(2018); Pen on sketch paper

Self portrait

July 29, 2018 in art
Tags: illustration, Sean David Christensen, www.seandavidchristensen.com
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Spider Eyes (2018); Illustration/Photoshop

Spider Eyes (2018); Illustration/Photoshop

"Here's Lookin' At You;" (Spider Eyes)

July 19, 2018 in art
Tags: illustration, spiders, Sean David Christensen, www.seandavidchristensen.com
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"Penny Girl" by Cola Boyy; Directed by David Luraschi

July 14, 2018 in music video, photography, music

It was a joy to help out my good friend David Luraschi film his music video for "Penny Girl," the debut single from Cola Boyy's debut EP, Black Boogie Neon. I spent a whirlwind weekend driving around Oxnard helping gather bits and pieces of sunshine that Luraschi spun into gold. As Matthew (Cola Boyy) himself said best: "This is not just my world, but a part of me that's so vulnerable. All my differences are on the table, and my song plays in the background. Oxnard has so many bright colors and faces, it shows in the video. Isn't it nice?" More than just nice, it was truly inspiring to see his community come together to support this gifted young man and our heartfelt romp through their neighborhood. I can't wait to see what funky magic Matthew conjures for us next, as well as myself, his newest fan. 

CREDITS

Director: David Luraschi  / Production company: SlowDance / Executive producer: Valentine Suc / Director of Photography: David Luraschi / Line Producer: Mike Medoway / 1st Assistant  Camera: Riley Keeton / Set Designer: Sean David Christensen / Production Coordinator: Jocelyn Rummler / Production Assistant: Jocelyn Cortez / Editor: Kenza Meunier & Wyatt Earp Color Grading: Marjolaine Mispelaere / Post Production Company: Motion Partners

Special thanks to: Oxnard, CA, Adrian Pillado, Nic Hessler, Corentin Kerdraon, Marc Teissier du Cros, Cesar Wogue, Record Makers, Juniper Carrasco, Luis Franco, Jun Porte, E-scan, Fotokem, Motions Partners, Panavision, Reel Good Films & Daniela Garcia

READ ABOUT THE VIDEO via The FADER

Source: https://www.recordmakers.com/
Tags: Cola Boyy, David Luraschi, Penny Girl, Oxnard, The FADER, Record Makers
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Same (2018); Pen on sketch paper

Same (2018); Pen on sketch paper

Same

July 12, 2018 in art
Tags: illustration, cartoon, Sean David Christensen, www.seandavidchristensen.com
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Miniature recording studio, circa 1965. 1/12th scale; Crescent watercolor board, balsa craft wood, sketch paper, Folia art paper, foam-board, cardboard & craft metal piping.

Miniature recording studio, circa 1965. 1/12th scale; Crescent watercolor board, balsa craft wood, sketch paper, Folia art paper, foam-board, cardboard & craft metal piping.

Back in the studio

July 08, 2018 in art, film

What a joy to create this bright new color combination for my latest miniature, a recording studio from the mid-1960s. Partly historical, partly fantastical, this set was designed for my latest film, a documentary which utilizes archival recordings from the same era. I've always gravitated towards bending the rules of visually representing the past, and hope all of these pieces I've gathered come together as neatly as craft wood; Albeit, with some of their most endearing human imperfections imprinted upon the final product. 

Tags: miniatures, Sean David Christensen, www.seandavidchristensen.com
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AmirSaysNothing (2018); Inverted pen illustration / Photoshop

AmirSaysNothing (2018); Inverted pen illustration / Photoshop

AmirSaysNothing

July 01, 2018 in art, music

I had the good fortune to catch AmirSaysNothing at a concert showcase organized by the prolific Charlie Scovill, held at the Bootleg Theatre in Los Angeles earlier last month. Amir's blistering set featured selections from his most recent collaboration with Scovill, Love Always, Mr. Right, which promptly made me an instant fan; Hence, this fan art. For more music from this electric pair and many more artists produced under Scovill's unique vision, please visit www.charliescovill.com to catch just a glimpse of this wunderkind's prodigious output.

AmirSaysNothing performs with producer Charlie Scovill at the Bootleg Theatre in Los Angeles; June 10th, 2018.

AmirSaysNothing performs with producer Charlie Scovill at the Bootleg Theatre in Los Angeles; June 10th, 2018.

AmirSaysNothing closes out a rollicking evening of music organized & produced Charlie Scovill.

AmirSaysNothing closes out a rollicking evening of music organized & produced Charlie Scovill.

Source: https://charliescovill.com/the-finance-pul...
Tags: illustration, fan art, AmirSaysNothing, Charlie Scovill, Sean David Christensen, www.seandavidchristensen.com
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Erin (2018); Pen, pencil & highlighter

Erin (2018); Pen, pencil & highlighter

Erin

June 24, 2018 in art
Source: https://eringranat.com/
Tags: illustration, cartoon, Sean David Christensen, www.seandavidchristensen.com, Erin Granat
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Unedited block of hand lettered text, to be converted into credits for my latest film.

Unedited block of hand lettered text, to be converted into credits for my latest film.

Hand lettering cinematic titles & an appreciation for Pablo Ferro

June 17, 2018 in film, art

One of my all-time favorite movie openings that elegantly incorporates hand lettered cinematic titles belongs to Jonathan Demme's Philadelphia. Masterfully pairing the film's theme (performed by Bruce Springsteen) with warm, cursive script, this sequence beautifully captures the shifting harmonies and subtle cruelties of an American city, one which claims brotherhood as its namesake (or brand), rather than an embodied ideal to strive for. 

Even as a young child, I appreciated the feeling that came over me as I recognized titles on screen that weren't rigid and streamlined. Like in Philadelphia, these were deliberate, yet imperfect artistic choices. Handmade, preserving all their flaws. Their inclusion almost seemed like a clever trick, as if each card was an intruder, too sloppy for the big screen. Yet every time I'd come across this artist's work, whether I knew it or not, he evoked notes that I still can't describe. Going back through his resume, it's illuminating to realize his craft framed some of my favorite films as a child, my most formative to how I approach titles today: Dr. Strangelove, Harold and Maude, Men in Black & The Addams Family.

One of Pablo Ferro's most iconic works, his diabolically romantic opening titles for Stanley Kubrick's Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb.

One of Pablo Ferro's most iconic works, his diabolically romantic opening titles for Stanley Kubrick's Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb.

I'm speaking of the great Pablo Ferro, whose unmistakable style is still as bold and fresh as it was right off the page in the mid-60s. As I've learned, in creating my own handmade titles for my upcoming film, this approach takes time and a great deal of patience, much like re-fueling a B-52 in midair. Starting with a ruler, paper and some technical pens, I've reconnected with that childlike fascination of the bond between the hand and the page, an artistic choice that is imprinted with as much care as setting up a shot or smoothing out a piece of audio. Every bit counts. 

Pablo2.png
Source: http://www.artofthetitle.com/designer/pabl...
Tags: Pablo Ferro, cinema, title design, Sean David Christensen, www.seandavidchristensen.com
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yellowstudio.jpg

Miniature-in-progress: Recording studio

June 12, 2018 in art

My latest film incorporates a new miniature set, a recording studio, which I'm realizing seems to borrow (in spirit) from the color palette of Stanley Kubrick's creepy red bathroom in The Shining. Eagle-eyed fans of The Duel may notice the grey file cabinet from its hospital scene, which will be repurposed for this new work with a coat of flamingo paint. Stay tuned for more mini updates as this room comes together!

Laying out the front & backs of the two chairs. Fingertips starting to accumulate flecks of red paint as its second skin.

Laying out the front & backs of the two chairs. Fingertips starting to accumulate flecks of red paint as its second skin.

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The square wheels on these chairs do not go 'round and 'round.

The square wheels on these chairs do not go 'round and 'round.

Tags: miniatures, Sean David Christensen, www.seandavidchristensen.com, film
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Empty Skies // official poster

June 03, 2018 in art, film

What a stimulating challenge to design a film poster for another filmmaker's vision! Many thanks to directors Wenting Deng Fisher & Luke Fisher for their guidance and faith in my abilities. The sumptuously shot and heartbreaking short, Empty Skies, coming soon!

Tags: graphic design, poster art, film, Wenting Deng Fisher, Luke Fisher, www.seandavidchristensen.com, Sean David Christensen, Empty Skies
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Feathers

May 31, 2018 in art

Not falling asleep by your usual bedtime is a bit like missing your bus home when it's really late at night. All you can do is wait until you're tired again. By that time, opportunities for sleep (much like the buses) only come about an hour or so apart. That is, if they're still running at all. So you just have to lie there and wait until the feeling takes you again. Perhaps you try to busy your mind, tricking it into thinking it's more tired than it really is: "Draw some feathers," you command. "Now open Photoshop." And you do. And still, you wait. Because you already missed your bus.

IMG_20180530_092352670_HDR.jpg
Tags: illustration, sketch, Sean David Christensen, www.seandavidchristensen.com
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Illustration of a woman with wire hangars for hair with red lipstick.

Design by Sean David Christensen.

"Mommie Dearest" Criterion Collection concept art

May 24, 2018 in art
Tags: artwork, Sean David Christensen, www.seandavidchristensen.com, Criterion Collection, Mommie Dearest, Mommie Dearest poster
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SACRED SHIT by Machete Bang Bang & Erin Granat

May 20, 2018 in film, writing

One of microcinema's treasures is the joy of discovering nuance just beneath its surface on repeat viewings. Much like the delight you experience upon discovering a new instrumental flourish buried within your favorite song after revisiting it, the comparable brevity of a short film sharpens its audience's senses, refocusing them to engage with, and pick up, new details. A short film's runtime tacitly demands a heightened level of awareness from its viewers, knowing there's only so much time to tell its story. You can always hit “repeat,” though.

Erin Granat glides across the 395 highway in Sacred Shit.

Erin Granat glides across the 395 highway in Sacred Shit.

On such repeat viewings, the impishly clever hide of Sacred Shit wears away, its clever skin belying its truer nature: a meditation on friendship, dependency & loss. Filmmakers Machete Bang Bang & Erin Granat (dear friends of mine for transparency’s sake), weave their individual talents together to express their own unique artistic stake in the process, while never sacrificing the volume of either voice to placate the other. Without spoiling the film’s revelatory ending, it’s clear that this sense of mutual collaboration speaks to more than simply the mechanics of making art, but a deeper need for each friend to support the other in the face of mortality and its humorless smile. Life, after all, has a runtime too, though we never know how long we’ve got until it’s too late to demand a repeat button. Now that’s some “sacred shit.”

- - -

Credits:

Starring: Erin Granat, Machete Bang Bang & John Weselcouch as "Friend on Phone"

Created by Machete Bang Bang and Erin Granat

Edited by Machete Bang Bang

Sound Design & Mix by Tim McKeown 

- - -

http://machetegoesbangbang.com/

https://eringranat.com/

Tags: Sacred Shit, short film, film review, Machete Bang Bang, Erin Granat, Vimeo, Sean David Christensen, www.seandavidchristensen.com
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Best of NFMLA Award nomination: "The Duel," Best Short Film - Documentary

April 20, 2018 in film

I'm thrilled to be counted among the year's best at NewFilmmakers Los Angeles's "Best of NFMLA Awards." The Duel has been nominated for Best Short Film - Documentary, an honor I couldn't be more proud to share with my friends at the RISK! podcast and my unbelievable cast & crew. Now...what to wear on the red carpet? 

Source: https://www.newfilmmakersla.com/best-of-aw...
Tags: www.seandavidchristensen.com, Sean David Christensen, The Duel, NewFilmmakers LA, award, RISK!
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Learn to love yourself before loving someone else (2018) Pen & ink with colored pencil on illustration paper - Digital composite in Photoshop. 

Learn to love yourself before loving someone else (2018) Pen & ink with colored pencil on illustration paper - Digital composite in Photoshop. 

Learn to love yourself / Before loving someone else

April 05, 2018 in art

Last year, I began compiling a sticky note on my desktop - a list of ideas for drawings that I've been meaning to complete. The above, "Learn to love yourself before loving someone else," is my first crack at the list. More to come, as I keep chipping away.  

Tags: illustration, Sean David Christensen, www.seandavidchristensen.com
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I Was There Too by Joey Izzo

March 24, 2018 in film, review

A haunting, sharply comedic tale of one man's craven manipulation of public tragedy, I Was There Too is a claustrophobic morality play, or in Darius's case (played by DeMorge Brown), a trap of his own making. Estranged from his daughter Max (Sunni Salazar), Darius is a father on the sidelines. Frustrated. We're introduced to his character arguing with referees at Max's soccer game, his outburst mollified by his ex-wife's new partner, Eric (played Eric Dadourian), with a weary sense of responsibility. "You can't come anymore, you know that, right?" Faced with the potential of being pushed further away from his daughter in an increasingly decaying orbit, Darius fabricates a story of narrowly escaping a mass shooting late one night, breathlessly describing it to Eric and Beth (Beth Lisick) at their doorstep.

Once inside, there's a sublime moment that occurs in-camera during a pivotal scene. Adrenaline still racing, Darius's pulse softens as he recalls a fond memory of his daughter Max's birthday, shared in the same living room he once again finds himself a guest in; Albeit, a self-imposed one. A bead of sweat rolls down his right temple at the exact moment he looks up at Beth for what sympathy he can wrestle from her concerned expression. It's a disturbing moment of serendipity, sweat gathering on the nervous skin of his story. We the audience, after all, know better than his captive audience. Darius wasn't there at all.

Izzo deftly handles the increasing tension by never fully revealing how much is truly believed by Darius's family, nor how much time is left before they discover it's all an act; Or if they discover it at all. Beautifully photographed by Arlene Muller, the film glides through the twilight hours of a man running out of time, and his desperate attempt for a second chance at becoming the father he may have never been in the first place. Reminiscent of Bresson's Pickpocket, Izzo is fast becoming a new master of portraying human frailty, and the tragicomic circumstances that tighten around wayward souls believing they are either too deserving of salvation, or too clever to outwit their inevitable judgment.

I Was There Too is available for streaming on Vimeo and was named Short of the Week.

Tags: short film, Short of the Week, film review, Joey Izzo, I Was There Too, DeMorge Brown, Eric Dadourian, Beth Lisick, Sunni Salazar, www.seandavidchristensen.com, Vimeo
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mahler_GRAM.jpg

Portrait of Gustav Mahler

March 18, 2018 in art

Designing artwork for the USC Thornton School of Music affords me many opportunities to re-work classic portraits of equally classical composers. Gustav Mahler, featured above, was a late-Romantic composer whose works are still strikingly modern by today's standards. In service of this, I re-interpreted a profile etching of Mahler by portraitist Emil Orlik in the style of the great Milton Glaser, similar to his Bob Dylan portrait in the 1970s.

Tags: artwork, Sean David Christensen, www.seandavidchristensen.com, classical music, experiment

NewFilmmakers Los Angeles / Stage 5 - A discussion about "The Duel" →

February 16, 2018 in film festival, interview, film

Since 2007, NewFilmmakers Los Angeles has been providing a home for artists to share their creative voice in an environment that supports truth in cinematic storytelling. In addition to their monthly film festivals, DocuSlate, a entire day of documentaries, was added to their yearly programming in 2016 to increase awareness and widen opportunities for representation of true stories and personal narratives on screen.

Last December I enjoyed sitting down with NFMLA Board Chair Danny De Lillo for a discussion about my creative process behind The Duel, and the unique challenges inherent in “translating” someone else’s truth. As an artistic custodian of my own family experiences which have been transmuted into past works, making these connections during our discussion was illuminating for me, and helped me better appreciate the delicacy required for handling something as fragile as memory itself, especially when it belongs to someone else.

About: "NewFilmmakers Los Angeles (NFMLA) is a non-profit designed to showcase innovative works by emerging filmmakers from around the world, providing the Los Angeles community of entertainment professionals and film goers with a constant surge of monthly screening events."

Tags: NewFilmmakers LA, DocuSlate, Stage 5, interview, Sean David Christensen, www.seandavidchristensen.com
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email: sean@seandavidchristensen.com